Kaaviya Thalaivan Tamil Movie Download Telegram Movierulz Coolmoviez Moviezwap Filmyzilla Filmywap Pagalmovies Telugurockers Moviesrox Google Drive Foumovies For Free in 360p, 480p & 720p (Full HD): Kaaviya Thalaivan Tamil Movie is 2014’s Tamil Movie. This comedy movie is directed by Vasanthabalan. Scroll Down to get Kaaviya Thalaivan Tamil Movie Download Filmyzilla Filmywap Movierulz links.
Kaaviya Thalaivan Full Tamil Movie Download Tamilyogi Kuttymovies 360p, 480p & 720p (Full HD Quality)
This historical Tamil movie ‘Kaaviya Thalaivan’ is directed by Vasanthabalan. However, B. Jeyamohan wrote the dialogues of the movie. Although, Varun Manian S. Sashikanth produced the movie.
|Starring By:||Anaika Soti | Siddharth | Prithviraj | Vedhika | Nassar|
|Quality:||360p | 480p | 720p | 1080p | Bluray | 4K|
|Size:||480 MB | 700 MB | 1.2 GB|
|Format:||3gp | Mp4 | Mkv|
|Imdb Ratings:||7.6 / 10|
- Anaika Soti
The film is set in the pre-Freedom India and rotates around the expert (and individual) competition between two phase specialists — Kaalaiappa Bhagavathar (Siddharth) and Gomathi Nayagam (Prithviraj). They have a place with a similar dramatization company and it is driven by the drill sergeant Sankaradasa Swamigal (Nasser), who is more dazzled with the first acting of Kaali than the regular one of Gomathi. This makes hatred in Gomathi, who utilizes a chance to make Kaali fall according to their master. Before long, he turns into a fruitful entertainer, be that as it may, Kaali reenters his life and by and by, removes his spotlight. More awful, Vadivu (Vedhicka is a disclosure in this job), the young lady he cherishes is stricken by Kaali. As desire assumes control over him, Gomathi is had uniquely with one idea — to obliterate Kaali unequivocally.
The essential reason of Kaaviyathalaivan is like that of movies like Amadeus, Aadukalam and to a degree Iruvar, which are about a persevering yet less skilled individual loathing a normally talented individual and getting fixated on cutting their opponent down. Here, Gomathi can’t comprehend why their master favors Kaali over him, despite the fact that he is similarly true towards his art. Sankaradas himself has just an ambiguous answer — Kaali doesn’t adhere to the average and makes something surprising. What Gomathi neglects to acknowledge is that Kaali is a conceived entertainer. In a previous scene, we see them notice another entertainer in front of an audience. Gomathi is taken in by the magnificence of the entertainer however Kaali discloses to him that it should the character and not the entertainer who ought to seem lofty. The scenes including the threesome are unmistakably the highpoints of the film with every one of the three entertainers having sufficient extension to stick out. Nasser is stupendous in the scene where we witness Sankaradas’ unbridled wrath at Kaali, after he comes to know about the last’s late-night trysts with Rangamma, the nearby zamindar’s girl. Also, Siddharth, who acts his heart out, gets his opportunity to excel when Kaali lashes out at his master subsequent to losing somebody extremely dear. Concerning Prithviraj, he pleasantly draws out the insidiousness in Gomathi while as yet causing us to understand the character.
Yet, there are times when we feel that the specific idea of the connection among Kaali and Gomathi ought to have been spelt out better. In their scenes together, we see them for the most part being agreeable with one another and we never get any go head to head between them. Kaali really appears to be excessively pleasant despite the fact that we are told later that he knew up and down that it was Gomathi who destroyed his life. Additionally, the affection triangle between Kaali, Gomathi and Vadivu isn’t very much evolved. Kaali’s affection for the nation, as well, isn’t definite well and we can’t help thinking about how he has such an enthusiastic soul given that he has consumed nearly his whole time on earth with the company, where nobody else shows such propensities. The specialized work, be it the cinematography or music or sets and outfits, feel all in all too smooth for a period film.
Nonetheless, Balan doesn’t allow the film to get stalled by the immature points and keeps the film advancing starting with one scene then onto the next at an extensive speed. Somely, the film resembles Gomathi’s acting — great yet additionally to some degree toiled and unsurprising.
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